Wednesday, 7 December 2011

Hollywood: The Brat Pack Maestros

COPPOLA, SCORSESE, LUCAS & SPIELBERG


4 of the most prolific and definitive filmmakers the Cinematic universe has ever seen: Aside from Mr.Scorsese (due to his recent success)... Coppola, Lucas and Spielberg have garnered fervent criticism and countless box office flops - Is this the beginning of the end for Cinema's most revered patrons?


These four great men have accomplished a tremendous amount in Cinema; the problem however being that expectations have now mounted to an unprecedented level. You can’t fairly cast such criticisms without addressing; what modern audiences want and what studio systems are willing to back...
A chasm has lingered in Cinema ever since the early 80′s – where the emphasis switched from delivering poignant and progressive art, to lucrative, high concept blockbusters – Of course, there are still myriad diamonds rooted amid this rough, but I feel it’s fair to say that artistic merit has remained a peripheral goal.
Thus, the burden doesn’t necessarily harbour in the palm of filmmakers, but the direction in which Cinema has lead us.
Crucially to this discussion, seldom would I group these four filmmakers together. Scorsese and Coppola I would say are the more artistically motivated auteurs, where as Lucas and Spielberg are unequivocally box office churners. Therefore, their ‘success’ (however you determine this) or lack of it, spawn from conflicting areas.
Filmmaking is a magical occurrence – just because one has a track record for genius, doesn’t mean to suggest that this is sustainable by any stretch of the imagination (history is littered with floundering genius's)
There will never really be a recipe for success in Cinema. The industry is forever changing; these four excelled during the peak of the American 'New Wave' movement – however since this artistic demise, Coppola for one (who I feel is at his element when he’s far removed from commercial works) has suffered; his artistic attempts (however much people dismiss them) have flopped - it's difficult to regain momentum after this.
I feel that Lucas doesn’t have the stomach to really flourish for the long haul and I suppose it's hard to upstage the most successful film saga of all time.
Spielberg’s enduring success has now fashioned farcical budgeting; too arduous to make a return (how his success is monitored)
&
Scorsese: the more eminent filmmaker. Perhaps this then is testament to his increasing ability to be able to please both sets of audiences, demonstratively making him the most complete filmmaker; one of the greats of all time.
Cinema is an ineffable and highly subjective entity; thus, it's fair to say: pleasing everyone is an impossibility.


And in any event, the baton has passed down to a new age of filmmakers & artists. These four men prevailed at the heights of their youth, where they had a greater propensity to push the boundaries, challenge form and unplug the system. Now, in the latter stages of their careers and with Hollywood already conquered, the spark and / or thirst for experimentation which previously defined their prodigious talent.. may have been relented by the breeze of time.


And so, a new age of cinema beckons: expect forthcoming greatness.

Saturday, 26 November 2011

New Music Video

Nicolo Antonio Abis's debut single: ''Two-Lane Love'' coming soon.

Produced by Christopher Brown & Will Rae Smith

Keep your eye on the prize.

Saturday, 12 November 2011

Notions floating in a bubble

The universe of love: seldom squandered or denied, but fed to each and every starving heart that dances in unison to Earth's joyous rhythm.

Friday, 4 November 2011

Wednesday, 5 October 2011

Brighton Cinecity Film Festival: She Don't Look Back

Good day folks. For those who are yet to see 'She Don't Look Back', the Film will be having its last ever Screening at this years 'Brighton Cinecity Film Festival'. For a last chance to catch the Film, here are the details:

THE NIGHTINGALE THEATRE

29-30 Surrey Street
Brighton
BN1 3PA
Above the Grand Central bar
Opposite Brighton Train Station

26th November:  14.45pm
'She Don't Look Back'  (2011)
Directed by: Christopher Brown

We hope to see you all there!

Stay Gold

Monday, 3 October 2011

The voyage of discovery is not in seeking new landscapes but in having new eyes.

Wednesday, 21 September 2011

Great things are not accomplished by those who yield to trends and fads and popular opinion.

Sunday, 14 August 2011

London Riots 2011: The Shape of Purpose.

August 6th - 9th 2011

The Planet's attention was clenched, as a tsunami of pernicious riots swept the shores of England in devastating fashion.

Coined as 'the worst unrest for decades', politicians have collectively voiced their utmost condemnation, labelling the perpetrators as 'sick', disengaged individuals.

So, all the while these 'sick' individuals flounder in the pits of society, a more pertinent question begins to surface:

Who or what made these 'feral rats' sick?

Since the unrest, Cameron and Co. have cast their benevolent fingers in the direction of: parents, rap music, greed and opportunism. All of which, stem from a lack of 'personal responsibility'.

Interestingly however, Mr Cameron is yet to address himself to the role that he has played in the debacle. Positioned at the helm of British politics, the man who brought you such BS as 'the big society' seems to have misplaced his word. Perhaps more disconcerting, Cameron's trousers have become far too tight; thus, the 'big society' belt has been unbuckled.

It hardly takes a Kim Ung-yong to grasp that a sick society, is indicative of a sick Government. And likewise, a fit and prosperous society will constitute a fit and healthy Government.

Since the Coalition rose to power, the UK has been rife with unprecedented cuts to the public sector- the most devastating of all: education.

The abolishment of EMA may seem frivolous to some, however exemplifies the Tories' lack of consideration for the future of this Country. By continuing to trample on the dreams of aspiring young people, they are intrinsically stunting the growth of the UK's future.

Tripling the annual student fees further corroborates this problem, and ascertains the irreverence aforementioned. By making higher education less attainable, they are instead fueling an all encompassing fog of disillusionment.

Through education and cultivation blossoms: hope, wealth, intelligence, respect, ambition... the foibles that create a well rounded, virtuous person. When you strip a person of education you in turn strip a person of these necessities; planting the seeds of anguish, idleness and iniquity.

Now, take deprived areas of London such as Croydon, Hackney, Peckham, Clapham, Tottenham etc.. In light of the deficit, evidently these boroughs have been hit hard by the cuts;  youth clubs, schools, clinics, they've all been stopped in their tracks, spawning a volcano of anguish, desperation and alienation amongst young, destitute people. No man is born 'evil'; man is a product of his surroundings / materials.

Likewise, areas such as Liverpool, Manchester, Birmingham & the Midlands are all suffering from similar problems, whereby minorities are outcast, jobs are scarce, mirth is invisible and tyranny is thriving.

With all this being said, the only course of action the Government seem to implement is that of mass incarceration. Needless to say, 'criminals' should face the full force of the law, but by simply locking these people away and moving on, seldom will we uncover the source of the problem. Akin to the way in which we treat a mentally ill serial killer; he / she needs a doctor, not an executioner. Sickness can be cured.

To sum up, by no means is this article intended to condone the London riots, as I myself was left tumultuous and shocked in view of the events. But, on reflection, it's imperative that we address the causes of these riots, and avoid writing them off as senseless thuggery, but a deep wound in society that needs stitching. If a wound is not treated promptly, a deeper more malignant infection will inevitably spread...

Let us take this devastation, as a plea for help not a cry for mercy.

Monday, 13 June 2011

''I've got a peculiar weakness for criminals and artists, neither takes life as it is.''

Sunday, 5 June 2011

We are one consciousness experiencing itself subjectively.

Sunday, 29 May 2011

Your vision will become clear only when you can look into your own heart. Who looks outside, dreams; who looks inside, awakes.

Wednesday, 18 May 2011

Saturday, 14 May 2011

Monday, 9 May 2011

The Journey Begins

Christopher Brown and David Nwikpo enter the realm of Cannes Film Festival tomorrow. Stay updated for videos / photography.

A bientot.

If only life were a reel of Film; then we could expose all the negatives and develop the truth.

Friday, 6 May 2011

CAST & CREW

CAST
Woman: Dione Inman
Soldier 1: Kieran Andrieu
Soldier 2: Tina Ormen Ryr
Soldier 3: Tom Ruddock-West

CREW
Writer/Director/Producer: Christopher Brown
Cinematography: Will Rae Smith
Camera Operator: David Nwikpo
Art Director: Hannah Ruddock-West
Location Manager: Emma Bailey 
Makeup Artist: Louise Cooper
Production Assistants: Tina Ormen Ryr, Simon Shaw
Sound Technician: Matt Cooksey
Editor: Sandra Castiço
Music Composer: Nicolo Antionio Abis
Title / Graphic Designer: Andy Callahan

 

Monday, 2 May 2011

Holla

I quick shout out to all those readers from; UK, Norway, US, Canada, Israel, Germany, Bulgaria, Russia, Italy and Mexico! Thank you for your interest. Long may it continue.

Sunday, 1 May 2011

The Ostensible Doctrine: God Save The People

LIBERTY - PROGRESSION - DEMOCRACY.

A feudal shadow looms over our Country: The archaic and seemingly insurmountable 'Royal Family'. A token of our heritage and tradition. They attract tourism - They pose as a symbol of National pride - They unify the British public... Or so we are led to believe?

An ocean of blood has been shed in the name of liberty and democracy - Yet seldom do we question the existence of these decadent, untouchable figures who intrinsically symbolise the opposite.

The Royal Family represent elitism, inequality and injustice - They are a family of human beings, not unlike any other; They breathe, they sweat, they smile. They probably laugh too.

YET... the taxpayer has no choice but to feed this abhorrent, antedeluvian system, whereby a family of inbred strangers pursue a life of endless luxury and gratuitous wealth - They live in Palaces - They are gated from the rest of the community - They are guarded - They are ubiquitous, appearing on all British currency - And most significant of all... they are positioned at the very top of society.

Their existence perpetuates class struggle, and breeds a colossal monetary divide. All the while we treat a select group of individuals as more worthy, valuable and important than any other, we will invariably face enduring problems. 

In response, there are those that say: 'Do you not love your Country?' - In a frail attempt to make themselves feel all the more patriotic. To that I say this... Yes.

Being British has nothing to do with worshipping a family, who play no part in shaping our future. Being British is a feeling of national identity; an infinite admiration for our culture and its people. If the Royal Family were dismantled would that be the end of Great Britain? No.

Whenever one hears the national anthem, it's difficult not to plummet into mass embitterment, due to its content - The words do nothing to enlighten the soul, instead simply draw attention to one idle figure.

Alas, it's lucid enough to fathom that the Royal Family aren't themselves bad people. They conduct themselves in a very humble, affable and gracious capacity. However, could they act any other way? 

Needless to say, the French went about dismantling their Royal Family in a very barbaric and unsavoury manner (to say the least) however at least they did something...

Therefore, as a progressive people, it is our duty to question ALL that we see as WRONG, and protect all that we know is RIGHT. After all, boundaries are but the beginnings of progression.

De omnibus dubitandum.

Wednesday, 27 April 2011

War.

Soldiers! Don't give yourselves to brutes, men who despise you and enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you as cattle, as cannon fodder.


Don't give yourselves to these unnatural men! Machine men, with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts. You don't hate! Only the unloved hate; only the unloved and the unnatural. Soldiers - don't fight for slavery, fight for liberty!


You the people have the power, the power to create machines, the power to create happiness. You the people have the power to make life free and beautiful, to make this life a wonderful adventure! Then in the name of democracy let's use that power; let us all unite! Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill their promise. They never will! Dictators free themselves but they enslave the people! Now let us fight to fulfill that promise! Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason; a world where science and progress will lead to all men’s happiness.

Soldiers - in the name of democracy, let us all unite!

Charlie Chaplin

Friday, 22 April 2011

Logline

War has broken out. A mysterious woman occupying an underground bunker types a message of enduring importance. Each message is posted to an opposing room, where three soldiers seek refuge. Once the woman has absconded, the soldiers attempt to make sense of this anomalous message.

Sunday, 10 April 2011

Cannes Film Digest Short Interview with Writer/Director/Producer of SDLB: Christopher Brown

What was the inspiration for making your film?
Boy, that's a question. I suppose I was compelled to make an experimental piece that had a profoundly rich message at its core. Additionally, working within the surrealist genre would encourage abstract notions, and fathomless imagery, that all in all would explore the very nature of art. I wanted to make a Film that placed heavy emphasis on audience interpretation, i.e. how varying spectators could sculpture their own unique reading; this the oil that powered my cognitive engine.

Any fun Film Festival stories?
Cannes being the first Film Festival, no stories have unfolded as of yet. However, I'm hoping to take a beach ball, so I'm sure things will get wild.

How do you fund your work and balance your creative and work lives?
Amid the UK's Cinematic climate change, Film funding proves a streneous ordeal that curtails the growth of Production. Consequently, I've had no other choice than to fund my own projects... Apropos, I have a reservoir of work on ice at the moment. In terms of balance, all Filmmakers at some stage are forced to lead a double life; that's just the way the tide travels - Unless of course 'Lady Luck' hands you the nepotism card.

What do you hope to accomplish at Cannes and in your career?
I see no point in going to Cannes hell bent on trying to 'accomplish' anything - just being a part of this illustrious Film Festival is in itself a feat. Povided I can continue making Films, whilst concurrently venerating this piquant craft... I'll be a very happy man.

Interview conducted by Producer/Director Brent Roske -10th April 2011

Tuesday, 5 April 2011

CANNES 2011: The Imminent Excursion

The clock ticks down - - beat by beat. . .

May 11th: 'She Don't Look Back' will be having its World Premiere amid a haven of Filmmakers from around the Globe. This illustrious Film Festival has been a meeting ground for Cinematic raconteurs for an enduring stretch of time, so what better place to be than the 64th Cannes Film Festival!

Christopher Brown and David Nwikpo will be there to represent the Film in all it's glory, so stay tuned for updates!

Based on a true fallacy.

Wednesday, 30 March 2011

We miss Robert De Niro...

De Niro's recent / future collaborations; Jason Stathom, 50 Cent, Lenny Kravitz, Bradley Cooper, Ashton Kutcher, Zac Efron...

TAWDRY.

Bobby, stop being a mook - You're a great man!

Monday, 28 March 2011

Illusory Lantern

''Time; the crux of our spiritual candle. Squandered by labour, misplaced by trepidation, shadowed by irreverence and blinkered by the indolent. It remains our enemy, yet our entity; showering the ocean of life with pearls of matter, webs of autonomy and landscapes of fortitude. Time; one day will turn the light off and whisper good night - so wrap up warm for the long night ahead and retort with grace and promise... 'Until tomorrow my eternal friend'...'' 

Saturday, 19 March 2011

Interview with Supporting Actor Kieran Andrieu

Kieran Andrieu, one of the stars of 'She Don't Look Back', many thanks for taking part in this online interview.
My pleasure.

So Kieran, first off: What is it that intrigued you about this particular short Film?
I was drawn by the concept of a disjointed time-frame. Each divided portal has it's own law of chronology and they seemingly operate exclusively from one another. This is an abstract film that insists on nothing hence allowing the viewer to interpret. I cannot be personally certain what anything in the film means, however the device of a warped time-frame is something that denotes a realistic aspect of life to me: that we naturally and frequently assemble the daily events of our lives in order of perceived personal significance. Loosely speaking, the theory of relativity - something that lasts ten seconds can feel like ten minutes and vice-versa. 

What is it that makes SDLB unique in your mind?
Once again time. Across all areas of the production there are anachronisms that consciously point towards a 'time away from time'. Neither the set, costumes nor mise-en-scene give a clear indication as to when or where this piece is set and I feel that if they did, it would curtail the subterranean tradition in the abstract/surrealist genre.

Did you enjoy the experience?
Being that there was no dialogue, I enjoyed the challenge of trying to translate what I could figure-out about this character through mere facial expression. I feel that it gave me the freedom to not have to consider in too much forensic detail where he had been, but rather, think of him somewhat viscerally, responding only to his surroundings. 

What fascinates you about acting?
There are many schools of thought on how to act, but for me it really is case relevant. The way I see it is that we all have a personal lexicon that we utilize when we need to associate something with something else, when we require a succinct or immediate answer in order to simplify communication. Therefore we subconsciously begin a lifetime work that involves tracing all walks of life, logging a versatile range of characters and behaviour. All acting is going to that subconscious index and consciously tapping into and imitating it. 

Who is your favourite actor of all time and why?
I have never had a problem with making lists and quantifying, I know it's not very fashionable because it's somewhat calculated and methodical nature contradicts the spontaneity of art, but it's just something always done mentally. Therefore I would say that Jack Nicholson is my favourite actor of all time, followed by Mr. Brando. If Brando had had the ideal career then he would have been somewhere orbiting in a different galaxy to anyone else, but his genius had a corollary in the form of megalomania that often obstructed reason. Nicholson is a profoundly intelligent actor, his charisma eclipses that of anyone I've ever seen and because of that, he brings a humanity to the screen that is exceptionally rare. His spirit captured the essence of 1960's America and as a result, he was appointed consummate patron of the 1970's American new-wave movement. Further, growing up with an absent father, when I watched 'One flew over the cuckoo's nest' for the first time at a young age, I thought the guy was my pop for a good year or so.

In your opinion, is there a place for ‘art-house’ Cinema in today’s current Cinematic climate?
It's place is undoubtedly diminished yet all together undoubtable. I don't like the term 'art-house', it's a very reductive label, however if I have to find common-ground and accept the term, I would define it as a picture that isn't made for the sole purpose of generating capital. The worldwide vertically-integrated system of film production reflects the businesslike nature of broader western society, it is an arm of the commercial operation whose purpose is to make profit. What is profitable in show business is at the mercy of trend, trend in turn is at the mercy of the general public, who themselves are at the mercy of advertising and media who are at the mercy of profit. It's a confusing carousel but if an artist can somehow figure a way to climb on without becoming dizzied into a stupor, then he or she could expose the finite nature of the carousel.

Where do you see Cinema going this decade?
It all depends on what decisions are made by an infinitude of individuals, today, tomorrow and everyday henceforth. There is no fate in this thing, the film industry is armouring itself and ensuring that it becomes increasingly impenetrable, like anything insecure. However, it knows that this is impossible. If the demanded criteria of mainstream cinema continues to be increasingly rigorous and stifling to art, then artists will simply figure out a new way to manifest their art. Either this colossal industry will reform or guerrilla filmmaking is an idea whose time has come. 

What do you have lined up in the future?
I've got one-eye firmly on the carousel and one-eye cynically cocked at it, I think that's probably the wisest way to be.

For those who haven’t seen the Film, do you have any words that may entice a spectator to do so?
It's beautifully shot, evenly paced and interesting. Even if you get nothing from it's symbolism or technical properties then I think you will appreciate it for it's aesthetic composition.

And Finally… Godfather Part I or Godfather Part II?
Godfather part II. It elevates the medium of cinema to a place that the pomposity of art criticism cannot reach. Often (and in no small part thanks to the internal industry assembly line that produces vacuous production after vacuous production), critics will turn their noses up at the idea of cinema being an artistic medium comparable or on par with literature, theatre, music and fine art. But pictures with such scrupulous regard for detail, so beautifully constructed, encompassing so many universal themes and doing so with such absorbing brevity and depth, are a real rebuttal of such snobbery. For me it is Shakespearean, and is a little glimpse into a kind of cinematic Shangri-la. It continues to set the mark for all of us that came after.

Kieran Andrieu… MODERN GRIEF PRODUCTIONS' spiritual neighbour, thank you ever so much for your time. We wish you all the very best. 

Interview conducted by Marlon Marx - 19th March 2011.

Wednesday, 16 March 2011

Welcome to the official SHE DON'T LOOK BACK page. It's been both a busy, and enlightening year for MODERN GRIEF PRODUCTIONS, having churning out two short Films in the space of just 10 months. So far the response has been excellent! I would like to take this opportunity to thank all those that have supported us along the way - you're efforts are truly appreciated.

After months of perseverance the Film is now complete. To further guild the lily, 'SHE DON'T LOOK BACK' has been accepted into Festival De Cannes Court Metrage 2011, where it will be having it's World Premiere in May.

Stay tuned for; Trailers // Updates // Videos // News and much much more!